Rafik Hegab is the Artistic Director and Choreographer for Virginia National Ballet, where he has been leading the company since 2013. He is a prolific choreographer who creates at least one original World Premiere each season, and is the 2019 Seefeldt Award Winner for Outstanding Individual Artist. Mr. Hegab has choreographed the world premieres of Aida, Aladdin, Carmina Burana, Carmen, Collection, Snow White, La Boheme, Bohemian Rhapsody, Bolero, and Life in the Fast Lane, and restaged The Nutcracker and acts from Swan Lake, Le Corsaire, and Giselle for Virginia National Ballet. He was also a guest choreographer for the Regional Emmy Award Winning production of “The Circle of Life: The Music of Time Rice” at the Music Center at Strathmore by Young Artists of America, which was televised on PBS. His work has been performed at the International Ballet Festival in Managua, Nicaragua, and he is in demand as a choreographer for students needing original choreography for YAGP, etc. He was a 2017 and 2018 Finalist in the Seefeldt Awards for Outstanding Individual Artist, and his work has received great reviews on Broadwayworld.com, DCMetroTheatreArts.com, Inside NOVA, Bull Run Observer, and more. His former students have gone on to dance with the Milwaukee Ballet, Ballet San Antonio, Gelsey Kirkland Ballet, and the Stara Opera Zagora Ballet in Bulgaria. Originally from Egypt, he received his Diploma from the Higher Institute of Ballet in 2000, and his Bachelor Degree in Dance Pedagogy (Vaganova Syllabus) and Choreography from the Academy of Arts in Cairo in 2009. He joined the Cairo Opera Ballet Company in 1999, won 1st place in the Egyptian National Ballet Competition in 2000, became Soloist in 2002, and was promoted to Principal Dancer in 2004. As a Principal Dancer, Mr. Hegab toured with the company in China, Lebanon, the Czech Republic, Jordan, Turkey, Germany, Italy, Austria, Spain, India, Greece, and Russia. He danced the Matador in Don Quixote with Julio Bocca, John in Zorba the Greek, Ali in Le Corsaire, Siegfried in Swan Lake, the principal dancer in Carmina Burana, and the Cavalier in The Nutcracker. He coached award winning ballet dancers who won first place in the Egyptian National Ballet competition. He is fluent in Arabic, Russian, and English
Saaya Pikula Mason joined VNB in the 2016-17 season, and is thrilled to be teaching her 5th season with VNB in 2020-21. Saaya has performed many Principal Roles and world Premieres with VNB since she joined in 2016, including the title role in Carmen, Sugar Plum Fairy in The Nutcracker, Mimi in the World Premiere of La Boheme, Jasmine in the Premiere of Aladdin, Soloist in Bohemian Rhapsody, the title role of Snow White, the title role in the World Premiere of Aida, principal dancer in Carmina Burana, Life in the Fast Lane, and Bolero, and principal roles in Claire de Lune and Virus. She has also been a guest artist at many companies in the region, and was previously a dancer with Teatrul de Ballet Sibiu in Romania from 2012-2014 where her repertoire included Gulmare in Le Corsaire, Juliet in Romeo & Juliet, Lilac Fairy in Sleeping Beauty, Snow Queen, Shepherdess, Waltz of the Flowers Soloist in The Nutcracker, Spanish Whim, Four Seasons, Coppelia, and Cenusa Timpulu, and with Columbia Classical Ballet in the 2015-16 season in the following roles: Esmeralda in The Hunchback of Notre Dame, soloist roles in The Nutcracker, Cinderella, and contemporary ballets. Saaya received her ballet training at Central Florida Ballet, Russian Ballet Academy of Orlando and The Rock School of Dance Education, where she studied two summers on full scholarship. She is in demand as a guest artist with many ballet companies in Virginia and Florida.
Dina Fadeyeva was born in Almaty, Kazahkstan and received her training at the acclaimed Almaty State Ballet Academy. Ms. Fadeyeva danced with the Almaty State Theatre of Ballet and Opera from 1985-1989. In 1989, she went to Moscow, Russia to study at the State University of Arts and Theater (GITIS), where she studied under Marina Semynova; she graduated in 1994. From 1993-1996, Ms. Fadeyeva taught at the Moscow Institute of Contemporary Dance as well as being a guest artist with many companies in Moscow. In 1996, Ms. Fadeyeva returned to Almaty State Ballet Academy to continue her career in teaching and taught at the Almaty Institute of Contemporary Dance. In 2000, Ms. Fadeyeva participated in the International Festival of Traditional Dance in Almaty and won the Grand Prix. In addition, many of Ms. Fadeyeva’s students have won prizes in International Ballet Competitions in Moscow, Budapest, Lausanne, and elsewhere. Between the years of 2000-2005, she worked with the National synchronized swim team in Kazakhstan. The programs she choreographed were performed in World Cup in Barcelona, Spain, in Rome, Italy, in South Korea, and at the 2004 Olympic Games, which was held in Athens, Greece. In 2005, she choreographed her own production, “Triumph of Athena” with music by Mahler, for the Almaty State Theatre of Ballet and Opera. That same year, Ms. Fadeyeva accepted a teaching position with the Ballet Royale in Maryland and came to the United States. She has been teaching in the Northern Virginia area since then.
Quinn Fieldstone joined VNB as an apprentice in 2018-19, was promoted to company member in 2019-20, and is now entering her third season with VNB. In 2018-19 Quinn performed Angel Queen, Snowflakes, and Flowers in The Nutcracker, Emeralds, Angry Seller, and corps roles in the world premiere of VNB’s Aladdin, corps roles in the premiere of Life in the Fast Lane, and Cigarette Girl in Carmen. In 2019-20 she performed Spanish Soloist in The Nutcracker, and Cinderella’s stepsister in Cinderella. Quinn began her training in Calgary, Canada at the International School of Ballet under the direction of Umran Sumen, and at Edge School for Athletes under the direction of Cyndi Scott. With Jeunesse Classique Ballet, Quinn was selected to perform lead roles in Coppelia, Giselle, and Nutcracker, and also had the pleasure of performing the Rite of Spring alongside the Turkish National Ballet. In 2016 Quinn moved to Montreal to train at Ecole Superieure de Ballet du Quebec’s post graduate training program where she trained under the direction of many internationally acclaimed teachers and choreographers, including multiple former artists of Les Grands Ballet Canadiens de Montreal and Gabby Baars of Les Ballet Des Monte Carlo. During her training at ESBQ, Quinn had the honour of performing in contemporary pieces by renowned choreographers such as Gioconda Barbuto, Andrew Skeels, and Shawn Haunsell. Quinn also performed in Ballet Ouest de Montreal’s annual production of The Nutcracker where she danced the roles of lead Flower Pas de Deux and Russian Dancer.
Caroline Beard is thrilled to be dancing her 2nd season with VNB in 2020-21, with a promotion to company member, after having joined as an apprentice in the 2019-20 season. This past season with VNB she danced Clara in The Nutcracker, and corps roles in the premiere of Rafik Hegab’s Cinderella at the Hylton Performing Arts Center. She graduated from Radford University Magna Cum Laude with a Bachelor of Fine Arts in Dance in the spring of 2019. Caroline was a student at VNB School for many years. Her past roles with Virginia National Ballet as a junior company member include Clara and Flowers Soloist in The Nutcracker, Dance of the Cygnets in Swan Lake, and a corps de ballet member in Carmina Burana. Caroline’s choreography has been presented at Radford University and the 2019 ACDA Mid-Atlantic South Regional Conference in Raleigh, North Carolina. She both choreographed and performed for the 2019 ISEA symposia in Gwangju, Korea, and the Sungsoo Art Gallery in Seoul, Korea. One of Caroline’s most recent choreographic works, entitled Bits of Brubeck, was a collaboration with James Robey, former artistic director for James Robey Dance and Associate Chair of the Radford University Dance Department. She will be teaching ballet, jazz, acro, and contemporary.
Minghong Xu, originally from China, joined VNB in 2019-20 and danced the Arabian solo in The Nutcracker, and Summer Fairy in Cinderella. The previous season, she danced with Columbia Classical Ballet where she performed many solo and corps roles. She won 3rd place in the 2017 World Ballet Competition Grand Prix in NYC, 3rd place in YAGP Senior Classical in Philadelphia 2017, and was in the top 6, 10, and 12 of the 7th International Ballet and Contemporary Dance Competition in Vienna, Fukuoka International Ballet Competition, and the 2016 YAGP in Beijing, where she also won a scholarship to Washington Ballet School. She trained at ABT’s NYC Ballet Summer Intensive, the Joffrey Ballet School Trainee Program with full scholarship, and the Washington Ballet Summer with full scholarship. She graduated from the Liaoning Ballet Academy in China in 2016. She is thrilled to be performing her second season with VNB!
Olivia Morris trained at Atlanta Ballet Centre for Dance Education. During her years at Atlanta Ballet, she danced in many shows and performed many roles. Some performances were corps de ballet roles in John McFall’s Nutcracker, the Bashful Dwarf and corps de ballet roles in Bruce Well’s Snow White, corps de ballet roles in John McFall’s World Premiere of Sleeping Beauty, corps de ballet roles in Beauty and the Beast and corps de ballet roles in Yuri Possokhov’s World Premiere of The Nutcracker. While a Trainee at Sarasota Ballet, Olivia performed Roses corps de ballet in Matthew Hart’s Nutcracker. Olivia has also received training at Walnut Hill Summer Intensive on Merit Scholarship, Houston Ballet Summer Intensive, Sarasota Ballet Summer Intensive and Atlanta Ballet Professional Intensive. During the 2016 SERBA, Olivia’s piece, Wounded, was presented. Olivia is very excited to be joining and performing with Virginia National Ballet in their 2020-2021 season as a Company Member.
Kethryn Avery trained with The Sarasota Ballet’s Margaret Barbieri Conservatory as a Trainee with the company. During her time there she learned and rehearsed ballets such as Fredrick Ashton’s The Dream, Balanchine’s Stars and Stripes, andSir Peter Wright’s Giselle. She performed with the Sarasota corps de ballet in Matthew Hart’s John Ringling’s Circus Nutcracker in the snow scene. During her training she also performed as The Dewdrop Fairy in The Nutcracker, Juliet in Juliet’s Variation from Romeo and Juliet at the Birmingham Royal Ballet’s Elmhurst Ballet School’s summer program, and numerous corps roles in various showcases. Kethryn is excited to be joining Virginia National Ballet in their 2020-2021 season as a Company Member.